A number of classes and courses at the Städtisches
Adolf-Weber-Gymnasium are taking part in our Comenius project on the "European
baroque" with partners in France, Italy, Poland, the Czech Republic and
Germany. Before we present our individual projects, we want to give a general
introduction into the 17th century.
To start with: The term "baroque" is derived from the Portuguese word
"barocco" which stands for an irregular pearl. We may be reminded of the
fact that in this world nothing is perfect.
People were very much influenced by the idea of "vanitas" then, the
idea that everything on this earth is "vain" – in vain – because of its
transitoriness. On the one hand, the presence of "vanitas" made people
want to enjoy life to its fullest. "Carpe diem" : seize the day and make
good use of the little time that is granted to you. Baroque joys of living
are best represented in the voluptuous ladies Rubens painted, become evident
in rich costumes and gigantic wigs, in overwhelming palaces and parks,
in great festivities and an excessive playing with form.
On the other hand, it was a century of wars, of the plague, of fires
which meant an intense confrontation with death. To be living on this earth
was for a short time only, and all creation embodied transitoriness and
pointed at an eternal life after death for which one had to be prepared.
Politically, a large number of small absolutist kingdoms evolved in
Germany as a result of the Thirty Years´ War (1618-48) which had
devastated central Europe. Each of these small kingdoms trying to become
a miniature Versailles showed as much pomp as it could afford. In the times
of the Counter-Reformation, the Catholic Church tried to win back its territory
from the Protestants and built splendid baroque churches, particularly
in Southern Germany, to impress the population.
|
|